Phân tích khổ 3 bài thơ Từ ấy của Tố Hữu chọn lọc điểm cao

“That word” is one of the best poems in To Huu’s revolutionary literary career. Let’s have time to learn about the outline pattern and analyze the stanza 3 of To Huu Trong’s poem The following article.

1. Outline analysis of the 3rd stanza of To Huu’s poem “From that”:

Opening:

Briefly introduce the author To Huu, the poem “From that” and the third stanza of the poem.

Post body:

The poet convincingly asserts: “I am already the son of ten thousand houses”. A very special way of calling:

– The word “child” is used for blood and blood relations.

– “I” is a member of “thousands of houses” → I and the masses are blood relatives, overcoming hardships together.

– Repeating the word “is” many times shows To Huu’s determination and unwavering determination.

– “Ten thousand houses” is a word for a large number, indicating a large working family. “Thousands of eons of dispersal” refer to the lives of people living in suffering and unhappiness. The lyrics express indignation at the injustice of society, compassion for the poor.

– The image of “thousands of children” refers to a large number of orphans and orphans.

– “No rice, no bread” is a common saying to refer to the homeless and homeless children in society.

→ Express indignation with a harsh, straightforward tone using conventional images.

→ This is a particularly profound change in the poet’s inner feelings and emotions.

– The ellipsis at the end of the poem is not the end but only the beginning of what is to come.

End:

Affirmation of the meaning of the poem.

2. Analysis of the best stanza 3 of To Huu’s poem “That word”:

Talking about revolutionary literature without mentioning the talented writer To Huu is a big omission. He is not only a brilliant revolutionary soldier but also a talented artist. In politics as well as in the revolution, he was always a great man. With that talent, he wrote romantic lyric poems, typically the work “That word”. The poem in a collection of poems of the same name written in 1938 describes his overwhelming feelings about the Party. The last stanza is like the ending song of this emotional song.

“I was a child of ten thousand families

I’m the sister of thousands of embryos

He is the brother of thousands of children

No rice, no rice, no butter.”

To Huu identifies himself as a “son of ten thousand houses”. “Van Nha” here is not the romantic and romantic Hue land, but each piece of land on the beloved S-shaped strip of land. The image of Vietnamese people and people in the author’s heart is close and unified. To Huu also once said that he was “the younger brother of ten thousand incarnations”. Referring to the “improvised life” is referring to the heroic past of one’s ancestors. The author’s acceptance of being “younger brother” means that he follows in his father’s footsteps and accepts their fighting spirit and solidarity. Not only that, To Huu also identified himself as “the brother of ten thousand children”. The author wants to be a brother because he wants to protect and love the fates of the colonists from poverty, war, oppression and hunger.

In a short four-sentence stanza, To Huu uses the three-fold structural message “It was…” to clearly affirm his stance in the great solidarity bloc. That also strengthens his sense of self-awareness, certainty, firmness. To Huu is in harmony with the people. It seems that the author implicitly affirms the solidarity of all brothers and sisters, the affection of everyone. The author promises to fight, to fight with them.

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The poet asked to be “the son of ten thousand families, the brother of ten thousand generations, the brother of ten thousand children”, promising to bring happiness to the unhappy and tired lives for a lifetime. Desperate poor children live a miserable life because of the senseless war caused by colonial oppression. The image of the Vietnamese in 1938 appears pitifully in the poet’s words with compassion. The author implicitly condemns the oppressive and exploitative regime of the colonists, and at the same time ignites the strong belief that the Party’s revolution will bring the country a beautiful, happy and pain-free life.

“That word” is not only the poet’s own, but also the cheers of an entire generation of young people who found the ideal of the Party, vowing to fight persistently for the ideal, for the people and for the country. They are young soldiers full of enthusiasm, ideals and love for their homeland. The last stanza contains these sentiments: revolutionary love, love of the Party, love of the compatriots, and the fighting will of the Vietnamese people.

To Huu is indeed a poet of Vietnam. The poem is both lyrical and revolutionary. The last sentence of the poem “That word” sums up the enthusiasm, love, affection and unconditional faith of a passionate young man in the Communist Party of Vietnam.

3. Analysis of the 3rd stanza of To Huu’s poem “That word” is the most impressive:

To Huu’s poem “From that” was composed in 1938 in a collection of poems of the same name that marked the maturity of the revolutionary youth’s ideals. The poem is a cry of joy and happiness of a young man who was on his way to find a reason to live when he met his ideal, illuminated by the party and revolutionary light. While the first stanza shows the poet’s feelings and mood when he is enlightened to the Party’s ideals, the third stanza is a profound change in To Huu’s sentiments.

The poet hopes that his passionate feelings will become a tight link between poor hearts, creating great strength to overthrow a cruel regime full of oppression and injustice:

“I was a child of ten thousand families

I’m the sister of thousands of embryos

He is the brother of thousands of children

No rice, no rice, no butter.”

Before realizing his ideal, To Huu was a petty bourgeois young man. The communist ideal helps the poet not only gain a new reason to live but also overcome the selfish and narrow feelings of the petty bourgeoisie towards class friendship with the poor masses. In addition, the poet also felt family affection among the revolutionary masses. That soldier voluntarily considered himself the son of ten thousand families, the brother of ten thousand lives, the brother of ten thousand children.

A completely free will, without hesitation, without hesitation. Diep Tu three times “I was…” as a soldier’s oath, when he joined the ranks of the revolution. The spell with the words “child”, “em”, “brother” and the conventional image “thousand” (meaning a very large number) emphasizes and strengthens the warm and close family relationship.

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Talking about the unfinished lives (those suffering, unhappiness, hard workers, often having to live in the sun and rain to make a living), industrious children (children who have no support) , having to wander around), the poet sympathizes and sincere, emotional compassion is aroused.

This shows the poet’s anger at the injustices and contradictions of the old life. It was thanks to those unfinished lives and these difficult children that the young To Huu became passionate about revolutionary activities, and they are also the main subject of poetry in To Huu’s poetry.

The poem “That word” represents To Huu’s revolutionary romantic style. The “lyrical self” is deposited in each poetic idea, each image, sometimes flying, sometimes settling, sometimes expressing directly and sincerely the desires and worries about the ideal.

This poem is the song of love, of confidence, the sincere voice of a young man who started to realize his ideal and voluntarily set out on the arduous and thorny revolutionary path. and sacrifices of the whole nation. Timeless, more than half a century of birth, that song is still green with revolutionary lyrics. The poem has caused sympathy and admiration in many generations of To Huu poetry lovers.

4. Analyze the 3rd stanza of To Huu’s poem “That word” in the most detail:

To Huu is the “first standard of revolutionary poetry” in modern Vietnam. His poetic career was associated with the revolutionary cause. His poetic voice is a sweet, emotional, gentle poetic voice and a poetic style full of nationalism. “That word” is the reflection of a happy soul when it finds its ideal. Entering the poem, the reader encounters the ideal passion and desire to fight and sacrifice for the revolution in the optimistic spirit of the young communist.

If the first stanza expresses the poet’s feelings and mood upon enlightenment of the party’s ideal, the third stanza ends the poem with a beautiful emotional transformation in the poet’s soul:

“I was a child of ten thousand families

I’m the sister of thousands of embryos

He is the brother of thousands of children

No rice, no rice, no butter.”

The stanza opens with the first person pronoun “I”. It is no longer the personal pronoun “I” like old poetry, revolutionary poetry in general and To Huu poetry in particular, it has brought a personal emotional voice. The author affirms his attachment to “thousands of houses”, a large and large collective, but broader than the entire working people, with “thousands of embryonic lives”, with “thousands of children’s heads”.

In the collection of poems “That word” and especially in the poem, we can see that the main content is the voice of compassion for the mistreated fates, the working masses, the poor, the children. chance to work without support. That is the love of life, the love of people, the poor peasants, the proletariat. Therefore, “That word” exudes a new and beautiful humanitarian spirit. This is communist humanism.

The author’s feelings are expressed by relating to himself as “son”, “brother”, “em”, showing us class friendship, love bonded by sacred flesh and blood feelings. The repetition of the word “was” is excellent, helping the author to express his deep love for the working masses. This love is born naturally and sincerely. It is even more noble when we realize that To Huu is a middle-class intellectual whose lifestyle emphasizes personal ego, selfishness, and narrowness.

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The poet has risen above his class to reach the proletariat with sincere affection, and this proves the powerful emotive power of revolutionary ideals for petty bourgeois intellectuals. Thus, the poet has deeply conveyed his thoughts and feelings in precise and meaningful words in the above stanza. This is To Huu’s feelings for people related to class friendship. It shows the author’s belief in the power of unity, the above verse is also an affirmation: when the ego is in harmony with the self, when the individual merges into a group with the same ideal, the strength multiplies. The verses are also the expression of a new awareness of the harmony of individual and collective life, between self and self. This profound change in perception is due to the ideal self-enlightenment of the poet To Huu.

5. Analyze the 3rd stanza of To Huu’s poem “That word” 10 points:

To Huu was a famous revolutionary poet with famous works such as Viet Bac (1947-1954), Windswept (1955-1961), Battle (1962-1971), Blood and Flowers (1972-1977). One of them is the poem “That word”. The poem is the beginning of the revolutionary path, the poetic path of To Huu and the author’s truth in life. The third stanza shows the profound psychological transformation of the poet.

“I was a child of ten thousand families

I’m the sister of thousands of embryos

He is the brother of thousands of children

No rice, no rice, no butter.”

The word “was” is repeated many times, showing To Huu’s resolute attitude and unwavering will. The words “Children, brothers, and sisters” are words that express closeness and intimacy…

“Thousand houses” is a word for a large number, indicating a large working family. “Thousands of eons of dispersal” refer to the lives of people living in suffering and unhappiness. The lyrics expressed indignation at the injustice of society, compassion for the poor.

The image of “thousands of young children” refers to a large number of orphans and orphans. “No rice, no bread” is a common saying to refer to the homeless and homeless children in society. To Huu expressed his indignation with a harsh and frank tone in a conventional image.

To Huu expressed his determination to stand with the poor working class of society. The poet considered the working class as his extended family, his mother, father, and blood brothers and was angry at the injustices and injustices of society, from which the author determined to fight for life. freedom, happiness and justice.

Thanks to the enlightenment of communist ideals, the poet To Huu received a change in his feelings, which is a flesh-and-blood attachment to the hard-working people fighting against the rotten unjust society.

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